May 21st, 2009
Even though I wore my silliest hat, today brought what in the corporate world we call “poisonous wrath” and the “deepest despair of the soul”; it is in such moments of extremity, seized by paroxysms of fury, laid low by the toxicity of stifled rage, melancholic and exhausted, that I know I am delivering value to the shareholders and being the best middle-manager I can be.
Nevertheless, it takes a toll, so when we left I thought it might be sound to take a few photos in the overgrown field next to our building. It was, and made me feel better, and then I came home and Five’s new explosive diarrheal habit had produced another kitchen-floor Pollock. After I titled, photographed, catalogued, and wrote an essay about it, I broke out the bleach to erase this most ephemeral form of art.
Then, my sister Nudawn sent me the oil painting below. I strongly dislike hugs, or human touch of any sort, or even basic human decency or warmth, outside of a relationship (a purely theoretical phenomenon at this point). When I was a child I amused my parents and teachers by drawing a two-headed beast called “The Hugging Monster” with the faces of mom and dad on it; it was chasing me. Nudawn has captured it beautifully.
This weekend I will be in New Orleans again, meeting Tumblr-users Mandalay (1st time), DHK (Umpteenth time), and Hell Belle (Nth time), probably in that order, and getting as drunk as possible on non-alcoholic beer. Don’t ever think dreams can’t come true.
(From Photophobia, here is this dumb grass even larger).

Even though I wore my silliest hat, today brought what in the corporate world we call “poisonous wrath” and the “deepest despair of the soul”; it is in such moments of extremity, seized by paroxysms of fury, laid low by the toxicity of stifled rage, melancholic and exhausted, that I know I am delivering value to the shareholders and being the best middle-manager I can be.

Nevertheless, it takes a toll, so when we left I thought it might be sound to take a few photos in the overgrown field next to our building. It was, and made me feel better, and then I came home and Five’s new explosive diarrheal habit had produced another kitchen-floor Pollock. After I titled, photographed, catalogued, and wrote an essay about it, I broke out the bleach to erase this most ephemeral form of art.

Then, my sister Nudawn sent me the oil painting below. I strongly dislike hugs, or human touch of any sort, or even basic human decency or warmth, outside of a relationship (a purely theoretical phenomenon at this point). When I was a child I amused my parents and teachers by drawing a two-headed beast called “The Hugging Monster” with the faces of mom and dad on it; it was chasing me. Nudawn has captured it beautifully.

This weekend I will be in New Orleans again, meeting Tumblr-users Mandalay (1st time), DHK (Umpteenth time), and Hell Belle (Nth time), probably in that order, and getting as drunk as possible on non-alcoholic beer. Don’t ever think dreams can’t come true.

(From Photophobia, here is this dumb grass even larger).

  1. appuntinovalis reblogged this from suddenly
  2. suddenly reblogged this from mills
  3. imsvsims reblogged this from oversets and added:
    Field Grasses I’d love to spend an afternoon here looking up
  4. stryker reblogged this from mills and added:
    I’m storing this one away for fatherhood
  5. melanyouth reblogged this from mills and added:
    Oh! The large version...re non-alcoholic beer: ‘All...say....
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Aporia

Aporia is written by Mills Baker and concerns art, culture, love, philosophy, memory, history, and more. A selection of better posts has been assembled. It's been featured on Tumblr Tuesday and is listed in the Spotlight, but it pines for its youth as a coloring book.